Phil Solomon Movies

An experiment in 3D abetted by a Pulfrich filter, originally theorized in the 1920s. Features water cinematography by Phil Solomon.

Colleagues at the University of Colorado at Boulder, the two began with strips of film Brakhage had painted on by hand, photographing them frame by...

The second feature-length film directed by Scott Barley.

Phil Solomon's unreleased GTA film. Made in Grand Theft Auto V.

Part of Solomon’s acclaimed Grand Theft Auto series, titled “In Memoriam”, a body of work shot entirely within the virtual world of...

Phil Solomon's fist attempt at a cine-nocturne.

"No filmmaker of the 1980s knew as much as Phil Solomon of affirming the importance of multiple layers in the visual production of images. Solomon...

Imagine a rusted, medieval film can having survived centuries, a long lost D. W. Griffith / Georges Méliès co-production, a film left...

Phil Solomon’s immersive triptych film installation American Falls, which was originally commissioned by the Corcoran Gallery of Art in...

In 2005, Phil Solomon collaborated with his best friend, the highly respected filmmaker Mark LaPore, on a short digital video entitled Crossroad,...

'Blinking' 2D rendition of one of Ken Jacobs' Nervous System performances first presented in 1994.

In celebration of his 80th birthday, here is: THE ETERNAL COURTSHIP (an ipad short) For Ken and Flo Jacobs, with love and affection from all of us...

Half lullaby for the dead, half lamentation on the twilight of the cinema.

Contents: Nocturne (1980) Remains to be seen (1994) The exquisite hour (1994) The snowman (1995) Psalm II : walking distance

The many moods and shades of love, set in a virtual Hong Kong. Inspired by the films of Wong Kar Wai.

Okay, well, this film started out as a punk Joke, made 10 minutes before class, in 8mm, shot Brakhage, camera jammed, used accident to shoot him down...

Musing on the past and the present, on roads not taken and the road I was already on. For Jeanine Hayden and her son Jeff, wherever you are. ...

A brief short of Phil Solomon and Stan Brakhage going to the movies in the spring of 2002.

Glimpses and sparkles of childhood memories.

Solomon uses chemical and optical treatments to coat the film with a limpid membrane of swimming crystals, coagulating into silver recall, then...