Ed Emshwiller Movies

The third film by Ed Emshwiller

Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller.

A look at painting, sculpture and the dance in the United States today, as represented by works of many of its best-known artists - Andrew Wyeth,...

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the...

The first film by Ed Emswhiller

Skin Matrix S is a short version of the piece Skin Matrix.

A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are...

Emshwiller writes that the visually complex and densely textured Skin Matrix is a "video tapestry... a layering of different manifestations of...

Choreographic dance video created in 1976 by Ed Emshwiller.

Dubs is a somewhat abstract, experimental video without a clearly defined plot. It focusses mostly on the relationships between men and women and the...

Oysters Are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations....

A film made by Ed Emshwiller and Wantagh, New York high school students.

The pointillist score accompanies changing line, form, and color to create an animated film painting, achieved through the exploration of spontaneous...

A short documentary by Ed Emshwiller of the March on Washington.

Pilobolus and Joan is a dance/narrative journey of transformation, a theatrical search for self and love based on Carol Emshwiller's story...

Featuring Bill Weidner and Connie Brady, BRANCHES was made in a filmmaking workshop at Cornell University during the summer of 1970. The film was...

An impressionistic portrait of America's diversity

A film by Ed Emshwiller that surveys, without narration, the vast human and material resources committed to the U.S. space program. Uses recurring...

The Second film by Ed Emshwiller

This biker documentary was selected for screening at the 1964 Flaherty Film Seminar. Emshwiller described it as "a roaring picture of motorcyclists...