Piero Bargellini Movies

A series of migrants who at times narrate and impersonate shards of myths, among them the Great Goddess, the Virgin of Bach’s Magnificat, the...

While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his...

To me, to go to the window and look outside is like watching a film. Filming is a way to draw out the condition of spectator and alienate it. I made...

"Trasferimento" takes up the erotic theme of 8mm films and manipulates it using development techniques studied in early 16mm cinema. The regression...

It exists only in a fragmented state.

Amateur footage, filming of dubious origin, chromatic alterations and hard-core details in an alienating and curious collage with sinister and gloomy...

A woman sits, smokes, and reads in various states of 16mm exposure.

Lost film: Saluto (January 1968, 8-16mm, 18fts, sound, 3'30", bw)

Unfinished feature film by Piero Bargellini.

Collective manifesto by the members of C.C.I. It is a collective film, the result of an operation devoid of any aesthetic purpose: to verify the...

A very young Marco Melani is divided between reading cinema magazines and watching car racing on TV.

A young man reads Ginsberg in his briefs, and shows off his body.

Short study of a

A film by Piero Bargellini.

Lost film: Filmed report (1968-1970, 8mm, 24fts, sound, 13’, col.)

Part of Piero Bargellini's Lost Cinema

Destroy by the director in 1974.

The story: the death of a dog, filmed subsequently, a violent death because it is caused in a veterinarian’s clinic; a man in a white coat...