Paolo Gioli Movies

Paolo Gioli's cinematic verification of Edwin H. Land's experiment in color perception.

From old plates of an anonymous photographer who worked in the 50s, I extracted this impossible film (plates that had contributed to the composition...

This film is an accumulation of semi-stroboscopic figures with features invisible to the eye, that remain in the human cerebral cortex located at the...

This film was constructed using the so-called “photo-finish” technique employed in sporting events. The same principle was applied,...

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite....

Made from fragments of a found porno film, where the frameline, which divides the images, becomes a mysterious plastic form, struggling in the center...

A film that has chosen as its protagonist its own negative and will remain committed to that choice until the very end. More precisely, nearly...

"Faces and figures found on reels of film by an unknown artist from the first few years of the 20th century. I fed the images through what was...

Traumatografo is a film, the principal purpose of which is to comfort those who fear death by the gallows or scaffold. It is divided into three...

Composed of still images from several photographs of the actress and pop icon Marilyn Monroe that have been manually transferred to film frame by...

This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier...

Composed using three different formats, that have been made to co-exist: super-8, 16mm, and 35mm on a single 16mm support, clear leader. The...

Pier Farri's Futurist Europe focuses on Futurism as the first avant-garde film movement in history.

A film made a single batch of 45 pin holes in a 50 cm hollow tube.

This digital video arose from the idea of trying to transfer to film all the photographic images I had created with the so-called...

This digital video arose from the idea of trying to transfer to film all the photographic images I had created with the so-called...

A reflection on the material, on the filmic support. Strips of figures wander, fluxuate in the whirling kinetic rhythms imposed on them. These faces,...

I have a fixed idea about the screen that while it has no depth, we know that it is sprayed by 24 frames a second at the same point for an infinite...

A filmic homage to the German mime Helfrid Foron, a student of Etienne Decroux who worked with acrobats and tight-rope walkers. He frequently...

I have several English style windows and this and a tree in winter have caused me to think about Fox-Talbot’s window—his first image,...