Peter Hutton Movies

A portrait of Łódź, Poland that exists in a time-warp of sad memory.

Peter Hutton’s meditation on the Hudson River.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film....

Third part of At Sea, In Berlin, Lenin Portrait (1982) that was screened separately. 1982. 16mm; 15 minutes; black and white; silent.

Shot on 16mm, this wondrous silent film study from avant-garde master Peter Hutton (At Sea) observes human movement across three distinct landscapes:...

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film...

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

“When I was shooting the material that ended up in "Looking at the Sea", I was standing on these cliffs on the west coast of Ireland, looking...

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with...

“Using exciting juxtapositions of shade and movement, this silent and surreally poetic film examines subtle changes of light and landscape in...

Sketches for Late City Final (Jem Cohen, Peter Hutton, Jeff Preiss, Adam Grossman Cohen, co-produced by Fred Riedel, c. 1991)

Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an...

In Titan's Goblet refers to a landscape painting by Thomas Cole circa 1833. The film is intended as a homage to Cole, who is regarded as the father...

Although this grouping of three works shot during Peter Hutton’s yearlong stay in West Berlin seems to have been screened at least a few times,...

1970. 16mm; 5 minutes; black and white; sound.

Turner Prize-winner Luke Fowler's film focuses on the life and work of the socialist historian EP Thompson and his involvement with the Workers...

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of...

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the...