Peter Hutton Movies

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the...

Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an...

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film....

“When I was shooting the material that ended up in "Looking at the Sea", I was standing on these cliffs on the west coast of Ireland, looking...

“Using exciting juxtapositions of shade and movement, this silent and surreally poetic film examines subtle changes of light and landscape in...

"I developed a need to try to retain everything I was passing through, by means of my Bolex camera."

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves...

"IN MARIN COUNTY approaches the subject of America's ecological disaster as a comic yet bizarre vision. The tradition of Old MacDonald's farm has...

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of...

In Titan's Goblet refers to a landscape painting by Thomas Cole circa 1833. The film is intended as a homage to Cole, who is regarded as the father...

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film...

Shot on 16mm, this wondrous silent film study from avant-garde master Peter Hutton (At Sea) observes human movement across three distinct landscapes:...

Turner Prize-winner Luke Fowler's film focuses on the life and work of the socialist historian EP Thompson and his involvement with the Workers...

Three segments depicting the life cycle of a freighter boat.

Although this grouping of three works shot during Peter Hutton’s yearlong stay in West Berlin seems to have been screened at least a few times,...

1970. 16mm; 5 minutes; black and white; sound.