Stephen Dwoskin Movies

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches...

A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was...

Stephen Dwoskin's personal impression of West Berlin before the Berlin Wall went down.

A film about a man, an invisible man, perhaps immobile or displaced, trapped in solitude filling the intervals of reflection and desire. He resides...

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

Stephen Dwoskin's first film, made in New York. A woman's feet during a whole night of sleep contracted into four minutes.

An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life...

Short experimental film focusing on body paint and the female form.

Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey...

More like sketches Phone Portrait and Phone Strip explore the moving image through the uniqueness of the most modern of technologies – the...

'The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject...

Liu, crying, sings "Signore, ascolta!" Liu can bear it no more. She sinks to the ground, exhausted and sobbing. Puccini makes tears of joy and of...

A tribute to author’s mother shortly after her death, at the age of 96. The film remembers her through excerpts from earlier footage and...

The first three of a series of intriguingly personal and erotic engagements seen in the privacy of darkness and transformed by the iridescence of the...