Stephen Dwoskin Movies

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with...

A personal film by experimental director Stephen Dwoskin.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

A naked girl is filmed passing through a gallery of paintings, reminding us of the difference between the plasticity of painting and a body moving in...

Lost dreams is made out of those little remnants of images, from a single glance to a detailed moment, of those women from youth’s love and...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

A tribute to author’s mother shortly after her death, at the age of 96. The film remembers her through excerpts from earlier footage and...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

“Suddenly and sadly my dear friend Frances died. At that moment of loss I needed to hold on to her. The film is just that.” –...

DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.

The first three of a series of intriguingly personal and erotic engagements seen in the privacy of darkness and transformed by the iridescence of the...

Short strip by Stephen Dwoskin.

A richly conceived essay about the evolving image of disability. Dwoskin begins with the declaration that the historically distorted images of people...