Kurt Kren Movies

11/65 Bild Helga Philipp is an optical abstraction of an optical abstraction: Kren has simply intercut filmed movements and sections from an Op...

In 9/64 O Christmas Tree Kren offers a more visually descriptive development of a Muehl "action". The images have been chosen to follow a more...

Kurt Kren films an anti-war poster in extreme close-up moves to subvert the quick responses of viewers to its loaded imagery.

Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by...

I took a photograph of the view out of the window and had a very large negative made from it, which I fastened to the lens hood attacement in front...

In Schatzi Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.

Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate...

A short film by Kurt Kren.

Vacation pictures from Rome.

Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...

The third of the "bad home movies". Kren moved, along with his Thunderbird from New England in winter to the warmth of Texas. Part of the film was...

A man's head is seen in silent close-up using single-frame shooting and time exposure.

Sinus Beta is almost a sort of teaching film about bodily behavior in different situations. The film also produces, through the heterogenic...

"It became easier to understand Kren's method of approaching film when he illustrated his matter-of-factness with a story: he was asked to shoot and...

This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three...

Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi...

Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of...

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a...

The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's...

A subversive and experimental film by Otto Muehl.