Lillian Schwartz Movies

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Music performed by The New York Philharmonic Orchestra and conducted by Pierre Boulez. Schwartz manipulates by computer, in real-time the images of...

Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's...

This tape combines live-images filmed in the Yucatan with output from the Paik video-synthesizer ribboned with computer-generated images.

Music by Albert E. Miller. Experimental work with dancer and musicians to combine and present an unusual choreography of performers and music as a...

A short Emmy award-winning animation promoting New York's newly renovated Museum of Modern Art.

A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.

“Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a...

The movements of a dancers body are recorded, studied, reshaped, to understand the anatomical ranges of joints. Music by Albert E. Miller.

Music “Canzoni per sonar a quattro” by Giovanni Gabrieli, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz. Images generated...

Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

Created in 1990 at AT&T's Bell Labs in a program called Sculpt, one of the very first real-time texture mapping programs.

“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in...