Carolee Schneemann Movies

The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings...

An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as...

Performance by Robert Morris and Carolee Schneemann.

The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a...

Schneemann’s cat, Kitch, who was featured in works such as Fuses, was a major figure in Schneemann’s work for almost twenty years. The...

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps,...

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes...

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over...

Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name. Schneemann notes that this work brings...

Infinity Kisses - The Movie completes Schneemann's exploration of human and feline sensual communication. It incorporates extracts of the original...

Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of mourning,...

Art Is Reactionary is the 10-minute video recording of a performance by Carolee Schneemann dating from 1987. Carolee Schneemann shares the stage...

Ask the Goddess is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from...

Pinea Silva: Lost Meanings of the Christmas Tree, a performance-lecture by Carolee Schneemann, was first presented on December 15, 2011 as part of...

RED NEWS (1962-67) considers the interplay between media, entertainment, and violence. "I also had Red News simultaneously, that magical little...

Eight performers, suspended from ropes, move to a score of randomized encounter. Schneemann writes that this "kinetic theatre" work was "conceived as...

Vulvic puns, jokes and ruminations on the meanings of menstrual blood activate a range of taboos surrounding cultural notions of the feminine as a...

For this performative/lecture, Schneemann invited Teija Lammi, museum librarian at the Porin Taidemuseo in Pori, Finland, to be an improvisatory...

In all Schneemann's montages, films and performances, there is an insistent repetition of disparate motifs — within each work and from work to...

Writes Schneemann: "Souvenir of Lebanon follows a long video pan through destroyed Palestinian and Lebanese villages. In 1982-83, Israeli ceaseless...