Barbara Hammer Movies
- 2009

A Horse Is Not a Metaphor
A Horse Is Not a Metaphor52009HD
The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with...
![A Horse Is Not a Metaphor]()
- 1991

Vital Signs
Vital Signs71991HD
In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human...
![Vital Signs]()
- 1998

Women of Vision
Women of Vision11998HD
Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the...
![Women of Vision]()
- 2019

A Month of Single Frames
A Month of Single Frames6.82019HD
In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in...
![A Month of Single Frames]()
- 1992

Nitrate Kisses
Nitrate Kisses4.71992HD
Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema,...
![Nitrate Kisses]()
- 1981

Sync Touch
Sync Touch01981HD
A lesbian/feminist aesthetic proposing the connection between touch and sight to be the basis for a new cinema. The film explores the tactile child...
![Sync Touch]()
- 2018

Carolee, Barbara and Gunvor
Carolee, Barbara and Gunvor5.62018HD
From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the...
![Carolee, Barbara and Gunvor]()
- 1998

The Female Closet
The Female Closet3.41998HD
The Female Closet uses archival photographs, home movies, interviews, and other visual materials to explore the closeted lesbian stories of artists...
![The Female Closet]()
- 1986

Snow Job: The Media Hysteria of AIDS
Snow Job: The Media Hysteria of AIDS01986HD
Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased...
![Snow Job: The Media Hysteria of AIDS]()
- 1987

No No Nooky T.V.
No No Nooky T.V.61987HD
NO NO NOOKY TV posits sexuality to be a social construct in a "sex-text" of satiric graphic representation of "dirty pictures." Made on an Amiga...
![No No Nooky T.V.]()
- 1974

Sisters!
Sisters!01974HD
A celebration and collage of lesbians, including footage of the Women's International Day march in SF and joyous dancing from the last night of the...
![Sisters!]()
- 2003

Our Grief Is Not a Cry for War
Our Grief Is Not a Cry for War02003HD
On October 11, 2001, in Times Square, New York City, an ad hoc group of artists named Our Grief Is Not a Cry for War silently demonstrated for peace...
![Our Grief Is Not a Cry for War]()
- 1955

Spare the Child
Spare the Child01955HD
It shows a family where the son makes a wish to switch sizes with the father so that he can be the boss for a change. The father doesn't like this at...
![Spare the Child]()
- 1983

Bent Time
Bent Time51983HD
One-point perspective visual path across the US beginning inside a linear accelerator or atom-smashing device and traveling to such high-energy...
![Bent Time]()
- 1979

Dream Age
Dream Age61979HD
"A 70-year-old lesbian feminist, seeing little change in the society after years of work, sends out her 40-year-old self on a journey taking her...
![Dream Age]()
- 1970

Elegy
Elegy01970HD
Early Barbara Hammer film shot on Super 8mm in color and silent.
![Elegy]()
- 2023

Vever (For Barbara)
Vever (For Barbara)52023HD
Deborah Stratman brings past perspectives into the contemporary moment in a montage of unfinished film footage from artist Barbara Hammer with...
![Vever (For Barbara)]()
- 2000

History Lessons
History Lessons5.62000HD
A montage of film clips and stills calling all lesbians to come out and celebrate who they are. In a trilogy of experimental documentaries, director...
![History Lessons]()
- 1970

Marie and Me
Marie and Me01970HD
color, silent, 8mm film
![Marie and Me]()
- 1984

Doll House
Doll House01984HD
"Rapid montage shows a plethora of objects all arranged in, or with reference to, the central prop of a dollhouse. We see whimsical references to...
![Doll House]()



















