Saul Levine Movies

Founded under water ... all at sea ... made at land.

Stan Brakhage with a movie camera. Winter seascapes.

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

A film by Saul Levine

Directed by Saul Levine.

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...

As editor of "New Left Notes", the newspaper of Students for a Democratic Society (SDS), Saul Levine was at the center of multiple radical political...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)

This film was shot the same weekend as Z (Zee Not Zed), when Stan Brakhage was visiting University of Rhode Island, where Marjorie Keller was...

"Starring Saul Levine, with some of his camerawork. First part: Birth from the water; Second: in the City with Janet, mostly in darkness; third: a...

A small apocalypse prophecy on the threshold of disaster world/home

Every fall a store called NOMAD in Cambridge, on Mass Av,e puts up a window display of Mexican Day of the Dead pieces. My birthday is November, 3, so...

"Wild Blue Yonder" was the song of the army corps in which Saul Levine's uncle and father served when he was born in 1943.

2000 film by Saul Levine

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

A midsummer daydream. S8mm, color/si, (18fps)

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

“[GROOVE TO GROOVE] continues this kind of portraiture, concentrating on Mai Cramer and Levine, and develops the 'bi-lingual' paradigm of film...