Saul Levine Movies

Stan Brakhage with a movie camera. Winter seascapes.

This film was shot the same weekend as Z (Zee Not Zed), when Stan Brakhage was visiting University of Rhode Island, where Marjorie Keller was...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement...

Kerry Laitela delivers an elegiac account of the passions and struggles of a female chameleon.

A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work...

A film made by Pelle Lowe and myself, Ready-Made is a single work in itself, and also exists as part of a series of works that Pelle and I made...

A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image./ of the inside &...

A portrait of a mother with her arms full in the backyard bathing her twin babies as the early spring light sings and dances. Later the father cooks...

A small apocalypse prophecy on the threshold of disaster world/home

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story. The VHS copy of this...

S8mm, b&w/si, (18 fps)

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

1974 (R8, 7m)

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...