Saul Levine Movies

"FALLING NOTES UNLEAVING is made from footage gathered in the fall of 2012 and edited in early 2013. Anne Charlotte Robertson, friend and fellow...

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

Seeing photographers Barbara Bosworth, Laura McPhee, and DeCarava. Conversation after 1991 Mass. Art graduate Mark Lapore at the end of the session...

One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...

Adrianne Jorge, filmmaker, projectionist and chief of TVEYE VIDEO and I drive around Boston in 2008 talking about the changes in Boston and her work...

Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth,...

Karine Albano recounts her experience with an antidepressant called Selexa.

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

On 9/11/2005, Mark Lapore took his own life. I first met Mark at SUNY Binghamton in the fall of 1973, when I took my film production class. Over the...

The We Demand march of 1971 was the first recorded political action taken by queer activists in Canada. The date of this march, August 28, 1971,...

Fixed shot of Saul's father, Julius Levine, playing Scrabble with his housekeeper.

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

As the crow flies, as the crow cries, as the crow alites CAWS

A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image./ of the inside &...

This film was shot right before Dwayne's stopped processing Kodachrome, and the last time I shot Kodachrome for a LIGHT LICK. It was right after...

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

Two portraits, of Lowe and McKenna, respectively. According to Levine, he was “desperately in love” with both of them.

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.