Saul Levine Movies
- 1993

Crescent
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A conversation with Pelle Lowe.
![Crescent]()
- 2000

Light Licks: I Saw the Light Praise the Dark
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The first black and white LIGHT LICK.
![Light Licks: I Saw the Light Praise the Dark]()
- 2002

Light Licks: Detour
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![Light Licks: Detour]()
- 2015

Dead Day Window Display Note
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Every fall a store called NOMAD in Cambridge, on Mass Av,e puts up a window display of Mexican Day of the Dead pieces. My birthday is November, 3, so...
![Dead Day Window Display Note]()
- 2000

Light Lick: Get It While You Can
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LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...
![Light Lick: Get It While You Can]()
- 1980

Unemployment Portrayal Note
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![Unemployment Portrayal Note]()
- 1991

As Is Is
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Kerry Laitela delivers an elegiac account of the passions and struggles of a female chameleon.
![As Is Is]()
- 1984

A Few Tunes Going Out: A Brennen Soll Columbus N Medina
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The third theme of the series: A Few Tunes Going Out. A collection of songs, stories, scattered and interchangeable conversations during the Memorial...
![A Few Tunes Going Out: A Brennen Soll Columbus N Medina]()
- 1984

A Few Tunes Going Out: Groove to Groove
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“[GROOVE TO GROOVE] continues this kind of portraiture, concentrating on Mai Cramer and Levine, and develops the 'bi-lingual' paradigm of film...
![A Few Tunes Going Out: Groove to Groove]()
- 1993

Z (Zee Not Zed)
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Stan Brakhage with a movie camera. Winter seascapes.
![Z (Zee Not Zed)]()
- 2015

Light Licks: Pardes: Night Time is the Right Time
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LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...
![Light Licks: Pardes: Night Time is the Right Time]()
- 1983

Note to Poli
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NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...
![Note to Poli]()
- 1973

The Big Stick / An Old Reel
The Big Stick / An Old Reel01973HD
Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into a...
![The Big Stick / An Old Reel]()
- 2011

Light Licks: By the Waters of Babylon: This May Be The Last Time
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This film was shot right before Dwayne's stopped processing Kodachrome, and the last time I shot Kodachrome for a LIGHT LICK. It was right after...
![Light Licks: By the Waters of Babylon: This May Be The Last Time]()
- 2011

Light Licks: By the Waters of Babylon: I Want to Paint It Black
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I spent the week of thanksgiving 2010 in Prague; I had never been to Europe before and as a Jew born in the 2nd World War, I had a strong association...
![Light Licks: By the Waters of Babylon: I Want to Paint It Black]()
- 2010

DRIVEN (Boston After Dark) Series: ED CHILDS
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One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...
![DRIVEN (Boston After Dark) Series: ED CHILDS]()
- 2013

DRIVEN (Boston After Dark) Series: LANA CAPLAN
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One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...
![DRIVEN (Boston After Dark) Series: LANA CAPLAN]()
- 2018

Sun Drum Moon Note
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Pedestrian reflections on ecstasy and vision.
![Sun Drum Moon Note]()
- 1991

Photo Note
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Seeing photographers Barbara Bosworth, Laura McPhee, and DeCarava. Conversation after 1991 Mass. Art graduate Mark Lapore at the end of the session...
![Photo Note]()
- 2002

DRIVEN (Boston After Dark) Series: JOE GIBBONS
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Joe Gibbons takes us on a tour of his past in Boston reflecting on the places he lived and worked in, including bars and bookstores he frequented....
![DRIVEN (Boston After Dark) Series: JOE GIBBONS]()








