Saul Levine Movies

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

I am just a rambling guy - here today, gone tomorrow. Sitting in the back of Dan's french car. French woman going to NYC for the first time....

As the crow flies, as the crow cries, as the crow alites CAWS

Free for benefits and free showings. "we turning in side take it without them it closes Castles color You must pass through it before it closes open...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

A portrait of Nancy Golden, a summer evening and Nancy photographing rocks at Singing Beach.

Harvard square stroll, talking to myself.

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

"Wild Blue Yonder" was the song of the army corps in which Saul Levine's uncle and father served when he was born in 1943.

Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si

A midsummer daydream. S8mm, color/si, (18fps)

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

A portrait of Picasso young and old, sung by the wind.

A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story. The VHS copy of this...

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...