Matthias Müller Movies

In Phantom, each face, each body appears, like cinema itself, from beneath a curtain that flutters and flickers to reveal haunted silhouettes that...

2004 short by Muller

About blind people in Hollywood films

An early Super 8 collage experiment by Müller using found film reels and home‑movie fragments.

The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon,...

This is somebody, nobody, anyone. This is us in the course of time. Persistently, in vain. The self is the need for permanent self-assertion.

2002 short by Muller

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical...

The body as a wound that never heals.

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with...

The film creates a melodrama inside seemingly claustrophobic mirrored cabinets. Like an anonymous viewer, the mirror observes scenes of intimacy. It...

Composed of densely atmospheric and highly stylized recycled commercial footage of young, picture perfect models pleasurably applying personal...

Time and again, the feature film places animal actors at the side of its human protagonists – sometimes as loyal companions, sometimes as...

Muller/Girardet short

A short feature about an optical experiment.

Album also represents a further step on a path Müller set off on several years ago: away from festivals and toward the art market. Album does...

A woman, a man, guests at an evening party. Settings, which are gradually abandoned; the remains of an event, gazes that have lost their object.