Roland Lethem Movies

Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty,...

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he...

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second...

Shots of a car speeding down the road are intercut with kinky sex flashes (a woman with a whip rides a guy, for instance). Then the car crashes into...

Thomas, in his forties, holds an important post in a slaughterhouse. He is engaged to Marie-Rose, the daughter of the director, whom he hopes to...

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the...

How to take revenge on the person who murdered you...

Pierre lives with his mother in an antiquated house in a run-down working-class area. Every morning, Pierre takes the tram to his job at the town...

An ongoing collection of single static shot, mute, showing a view of the cinema facades where Cinematons have been screened.

Marilyn’s shine flickering into your eyes, Marilyn’s mind melting into your mind, Marilyn’s heart beating inside of your...

The terrible revenge of a woman who sees the man she desires with another woman...

The episode of Gérard Courant's Carnets filmés, Crime contre le cinéma (December 25, 2006 to December 2, 2006) is divided into...

"The greatest danger of the sin of gluttony is that it leads us to the sin of lust." (Sister Sourire) An insatiable glutton faced with succulent...

The last film prohibited by Francisco Franco. Jean-Marie Buchet plays the role of a collector of used tampons in this avant-garde comedy-adventure...

Gerda Diddens' "Sprookje, of l'homme-objet" and "Découpage" form a very funny double metaphor about cinema and machismo.