Malcolm Le Grice Movies

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a...

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

The travelogue footage that appears here – the landscape rushing by, fragments of cityscapes, figures in cafes, forests, and beaches – is...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

Originally shot as part of Finnegan’s Chin, this sequence is re-edited as a portrait of performer Jack Murray. It continues the fascination of...

In October 2009 I did a show in Prague. I returned to the Kafka house of my ‘Benefit of Mr K’ but found the whole street and Castle area...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

Music J S Bach digitally reconstructed by Le Grice.

Found film sequences brought together in the paranoia of the cold war and Vietnam.

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

An encounter with a small man-made waterfall presented in a triptych format.

A one-off performance, never repeated but led to Horror Film 1.