Malcolm Le Grice Movies

When I reviewed the video material it reminded me of a theatre performance which I recalled as “A Lecture to an Academy”, given by Tutte...

Malcolm Le Grice - 3D.

[Originally] six virtual screens matted into three Blu-ray projections. First exhibited at the Centre Multimedia Gantner in 2011, then on an...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in...

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the...

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a...

A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

Originally the work was presented as a pre-ordered sequence of 35mm slides showing two unknown people walking around the wall of a sea-side swimming...

‘Critical Moment One’ was an un-planned recording of a one-year old boy exploring shells and sand on a beach. Though the boy was my own...

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

The travelogue footage that appears here – the landscape rushing by, fragments of cityscapes, figures in cafes, forests, and beaches – is...

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

Found film sequences brought together in the paranoia of the cold war and Vietnam.