Michael Brynntrup Movies

Women piss too - only less.

My day in the yearly film.

Captures the violence and tenderness, alongside the dominance and submission, that is found in a single, intimate embrace.

Cinema not as the uterus for dreaming but as a test of patience.

Intermezzo: 1. A brief entr'acte. 2a. A short movement separating the major sections of a symphonic work. 2b. An independent instrumental composition...

The original is in motion. The identity is being denied. On the very first take I wanted to pose naked in front of the camera. But I guess I didn't...

The last remains of the deathstrip.

In his short film VERONIKA (VERA IKON) experimental filmmaker Michael Brynntrup takes the biblical prohibition of images literally

As said. - A film like its title.

Explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering.

The ECG of metempsychosis (from the genes to the zodiac). Electrographics of the 4th Dimension.

My first video take, - a film, that rhymes between the lines.

"Do you really think I give you a chance at me?" - Practice Film for ZDF.

Diary film: Every person has their own taboos.

Rhythm in the age of its digital producability - an oscilloscope loosely based on Eadweard Muybridge.

WALK / DON'T WALK / WALK. The rhythm of the nineties. A tribute to the vital New York drag scene and the "electronic" 90's that is also a remembrance...

"Deathbirds: birds, e.g. raven, dove as animals of the soul (see soul)"

Trailer to »The Deathstrip - A German Film«: a melodrama, an incident, a location survey. (Contribution No.36 to the Super8 trailer show...

As said. - bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravissimo, bravo, bravo, bravo, bravo, bravo, bravo,...

Rests and tests from the inquiry into prototypes. Formal proofs through pregnant experiments on one's own body.