Corinne Cantrill Movies

Experimental Super 8 film from 2001 by Arthur and Corinne Cantrill

'The Room of Chromatic Mystery' is (...) another three-colour separation film, shot in the living room of the Cantrills’ old house in...

The film Harry Hooton is conceived as a huge energy field combining the energy of light and colour, movement, editing and sound — a dense,...

It's a three-colour separation study of MacKenzie Falls in the Grampians, Victoria.

Synopsis Part of a series of four studies the Cantrills made of the native flora of the Stradford Island, this one focusing on the Pandanus...

In the Brisbane Creative Leisure Centre, conducted by the Cantrills, children are shown reproductions of stained glass windows and then make large...

The beauty of the Australian bush is depicted in a carefully composed camera choreography of different aspects of flora and fauna. Close-up and...

It was made quickly, in a student-style way, to be shown at a student drama festival. In the main sequence, we continue to explore the nature of...

Charles Lloyd is an Australian artist whom we met in Sydney. He began working with printmaking when he moved to London around 1960. The film...

Single frame glimpses of life in Ubud, Bali, to Kecak Music. (Arthur Cantrill & Corinne Cantrill)

One of the main “mysteries” of working with the lab involves grading the print: adjusting or “correcting” the color balance...

Filmed on l6mm Kodachrome which heightens the textures and depth of this harsh landscape -- a study in browns, yellows, greys and blue sky.

Evening performances of traditional Balinese dance-drama in Ubud, shot single frame with open shutter exposures.

Part of a series of four studies the Cantrills made of the native flora of the Stradford Island, this one focusing on the Casuarina Equisetifolia.

"These three films are derived from "Negative / Positive on Three Images" by Baldwin Spencer, which was copied in high-contrast material to make...

Sequences from the filmmakers' 16mm, Super 8 and Stand 8 mm work, dating from 1960 onwards, are contact-printed onto 35mm film, then reduced to 16mm...

“In Robert Klippel – Junk Sculpture No. 3, 1963 (1965), a spiky Klippel creation resonates almost visibly with the high, piercing tones...

A three colour separation study filmed at Pearl Beach, which examines the same scene of Amethyst Avenue during the progression of a winter, then a...

A videographic film exploiting the phosphor textures on the cathode screen. Video images are filmed, filter-coloured and supered in the camera.