Katerina Thomadaki Movies

"Pulsar" belongs to "The Angel Cycle" ("Le Cycle de l´Ange"). In this cycle of works we create bonds between the human body and astronomical...

The female universe through four female characters: a child, a prostitute who never appears, me and the other, the other and me. Inside. The texts:...

The film revolves around three notions: Kha = the etheric double according to ancient Egyptians. Perpetual specter in all respects resembling the...

Portrait of the filmmaker’s mother in her garden. Part of the Portrait Series by Maria Klonaris & Katerina Thomadaki, the film was initially...

Portrait of Katerina in a hotel room by the sea. Her sunglasses reflect her body and Maria’ s camera in the mirror, thus revealing, albeit ...

The macrocosm present in QUASAR is a non colonized outer space. A non science-fictionalized outer space. It is a space of fantasized stars and...

An echoing, nocturnal, elliptical text. Female voices speak it. Fragments of music punctuate and suspend the images. The text says the transformation...

The film takes the Freudian concept of the uncanny generated by an inexplicable strangeness to expose the reappearance of the repressed feminine...

After five years of intense work on identity, an alchemical quest for the depths, after nine films and films / actions where the actresses' gestures...

Portrait of Greek filmmaker Katerina Thomadaki, shot in Paris (France) on March 16, 1978 at 11:00 AM.

Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied...

After the semantic body (Double Labyrinth) and the libidinal body (L'enfant qui a pissé des paillettes, Soma) we are dealing here with another...