Dean Kavanagh Movies

Ciaran is a passionate yet restless college dropout who has returned home to recession-struck Dublin after a year of travelling. Broke and living...

The latest materialist gesture in cinema's dematerialisation- uncompromising alter-ego Johnny Kline returns in the form of found and partially...

A darts player slides into depression after an heart attack spooks him so much he loses his skill.

Ireland, 1923. A young man returns home after fighting for the British Army during World War One. He struggles to settle back in, his memories of the...

A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives....

Earth. Wind. Fire. Water. Sacrifice. In Animal Kingdom a ritual carves a dimension that melds character, object, landscape and the very tactile...

TRAILERS unites the most personal and experimental aspects of underground filmmaking with a scope that is as cosmically vast as a science fiction...

Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental...

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is...

An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of incoherence against the context of vast cosmic...

A man cruises the streets of his old neighbourhood at nightfall.

A relationship between a man and a woman discloses during the course of the film.

A found-footage film that seeks to sever all narrative ties.

A journey into the dark visions of a small coastal town. Memories of the inhabitants or memories created by the place itself.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.

Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen...

Onlookers at the canal.

A young man recalls a fishing trip from his childhood but he is uncertain if it is his own memory.

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...