Dean Kavanagh Movies

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

Onlookers at the canal.

A relationship between a man and a woman discloses during the course of the film.

A man investigates a memory of places and people. The evidence drifts deeper and deeper into an unforgivable jungle; he might not be the true owner...

The first film in a two-part study of daily routines.

A contract killer reluctantly accepts a last minute assignment in the run-up to Christmas. The routine job takes an unexpected turn, and he finds...

An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of incoherence against the context of vast cosmic...

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.

The latest materialist gesture in cinema's dematerialisation- uncompromising alter-ego Johnny Kline returns in the form of found and partially...

This found footage project takes the form of four experimental films surrounding the mystery of the titular character. Rather than overtly appearing...

A man cruises the streets of his old neighbourhood at nightfall.

Originally conceived as a road movie, Sound from the Valley Floor is at once a film diary and a perverse comedy permeated with a dream logic.

A silent film adrift in the lost rooms of an old house. A final letter to an old friend.

A compendium of home movies sewn into a fragmented nocturnal narrative on travel

The last day of the week is the first day of the week.

‘My first movie’.

A young man films his family to better understand them and as a result is destroyed by them.

A found-footage film that seeks to sever all narrative ties.