Werner Dütsch Movies

Excerpts from the novel Donna di Messina (1949 and 1964, 1967) by Elio Vittorini (1908-1966).

In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and...

Documentary film about a journey on the Trans-Siberian Railway from Moscow to Vladivostok.

With their border crossings, transit routes and their control by the “Volks-Polizei” (GDR police), with their concrete slabs and their...

Home movies shot on Super 8mm by W+B Hein over 10 years.

German TV Documentary for WDR about Fritz Lang

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”,...

A documentary, a drama, a story of myth and murder. Wanted is a weird, wilderness, western, set in the Dakota Badlands, where the last herd of...

Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of...

An experimental film portraying different skies in very long takes.

A look at how mall producers design malls in order to maximise traffic and sales.

Film scholar Helmut Färber discusses Griffith' A CORNER IN WHEAT.

Helmut Färber makes connections between architecture and film

What venture capital or VC for short actually means is explained in the film itself. Banks only lend money against collateral. Those who have none...

Interviews with six of the mass murderers from Sabra and Shatilla. The faces are in black and are not identifiable.

In Italy, immediately subsequent to the war, a group of people who lost all they possessed during the conflict, settle in a village in ruins. They...

Scientific documentary film exposing the cencorship laws in the BRD as an instrument used for propaganda. Its the third part of the "Bundesdeutsche...

An introduction to films by Peter Weiss: "Study II" (1952) "Study IV" (1954)" According to the Law" (1957) "Shaded Faces" (1956 ) "What should we do...

Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in...

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their...