Narcisa Hirsch Movies

The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.

MUNDIAL 78 is a humorous depiction of the controversial 1978 football World Cup that took place during the Argentinian dictatorship

About the music of Steve Reich, a phrase be phased out as the image it makes the reverse movement.

Hirsch’s first steps in filmmaking were documentations of her performances and happenings in public spaces. These were collective actions,...

"Academia del fracaso" is a speculative aesthetic fact of a polemic nature, as Marta Minujín explains when she talks about her work. Portrayed...

In Aída (1976), a Super 8 camera captures ballerina Aída Laib dancing vigorously in Hirsch’s atelier to the sounds of Nina...

"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand...

"Life is a latency that as time and space becomes visible as a figure. But never eat at all, there are other possible lives. Making a life is...

The movie follows a group of children living in the streets in the city of Buenos Aires. The only day center working is the CAINA (Centro de...

on the image of a collage on the wall, the voice of a woman describes a man the interior space of a workshop that is not seen.

With research that spans the work of philosophers Gilles Deleuze and Martin Heidegger to modern mythologies in which time reversal plays a crucial...

Short film by Narcisa Hirsch

“ Cinema is what happens between frames," said German experimental filmmaker Werner Nekes. A woman and a man are on the ground together but it...

An interpretation in images of the texts of Rumi, 13th century Sufi poet. Registering a simultaneous projection RUMI live in two different formats...

But in Rafael in Rio (1977), the stability between the voice and the images drifts, as well as their relationship. What we see is Maino diving into...

Documentary about Jewish immigration in Argentina.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This...