Al Razutis Movies

AAEON is based on experiments with dream recollection, and features the first optical printer technology developed in Vancouver and used in many of...

Amerika is a "feature-length experimental film which was created one reel at a time to function as a mosaic that expresses the various sensations,...

A poetic document depicting psychological, alchemical, and physical aspects of earlier work in visual "transmutation" at the Visual Alchemy Studio,...

In 'Vortex', the intense subjectivity of techno-psychedelia converges with the technological gamesmanship of the space race. The subject matter,...

In 'Software', the pixel lights of the industrialized world (electrical power) are re-formed in the speckles and patterned light of the video screen:...

Aurora is a analog videosynthetic work incorporating film loops subject to colorization, quantizing and layering and was created by Razutis at the...

A repeating journey across the San Francisco Bay Bridge becomes a journey into disintegrating visuals, video transformation, with an accompanying...

Ephemeral traces of nothingness—rotoscoping farmers, crumbling churches, dying memories as hand-painted layers, decay & collage on film...

This silent 9 minute film is like a 'pointillist painting' come to life - where grainy shapes reveal themselves to be part of a visual jigsaw puzzle...

"A rich visual elaboration, through optical printing, of an archetypal realm characterized by the opposition/interplay of consciousness and matter in...

This short film video hybrid, combining film and video processing (colorizing, feedback, mixing, quantizing) saturates the viewer's sensorium with...

ÉGYPTE is a meditation on ancient time and space. Inspired by the Tibetan Tantric chants of the Lamas (which also comprises the sound track),...

These six essays on film/image history reconstruct cinema history by 're-imagining' its origins, and its poetries, and use historical films...

Reconstructed from turn-of the century footage, an ironic vision of high industrial pomp and pageantry - in substantial shadows of ancient...

The principle of stillness in Sequels in trasfigured times is like a botanical drying procedure for film which conserves a fixed but superb memory of...

The subject of the first essay is cinema itself: an apparatus of representation wherein fact and fiction are recreated. As such, the pro-filmic facts...