Kogonada Movies

A video essay on how Andrei Tarkovsky’s Solaris transcends science fiction.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

In 1993, the original negatives of Satyajit Ray’s The Apu Trilogy were burned in a massive nitrate fire at a laboratory in London. Even though...

A visual essay for "La dolce vita," directed by Kogonada for the Criterion Collection.

A visual essay on the tactile world of Robert Bresson created for the Criterion Collection.

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.

Kogonada’s video essay showcases the similarities of the multiple films Yasujiro Ozu made in his lifetime. Ozu created a genre of his own...

Sound in film is often complimentary. Rarely does it suggest an aesthetic of its own. The punctuating, rhythmic soundscapes of Aronofsky are the...

Video Essay on King of the Hill

As is made abundantly clear by this highly entertaining supercut of Wes Anderson’s films, the creator of such modern classics as The Royal...

In the 1960s, pioneering French New Wave filmmaker Jean-Luc Godard introduced the world to a new cinematic lexicon, generated from his innovative,...