Robert Huot Movies

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so...

Dark, Scenes from the Barn superimposes bucolic barnyard activities with jarring images of hidden desire

A section from ROLLS: 1971, which I feel stands well on its own. The continuous field of falling snow appears to break into three planes or zones of...

Two reels projected simultaneously, with slight variations in speed.

The Super-8 films include some of Huot’s most impressive filmmaking and some of the most impressive Super-8 filmmaking I’ve seen...

“…(a) serialist comparison-contrast of the variations in nine naked male and female torsos.

A punk spoof with music by Georg Deitl, lyrics by Robert Huot, performed by George A and The Super Connie featuring Bobby Beethoven. Plus electronic...

In CROSS-CUT--A BLUE MOVIE, Huot presents a minimal passage of intercutting between found footage of a hoochy-coochy dancer and a blue leader,...

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila...

This film is the quadruple superimposition of four faces, two men and two women. These images often appear to be one fantastic undulating face...

Super 8 diary film by Robert Huot

By 1968, Huot had begun to use photographic imagery, fusing his continuing concern with minimalism and an interest in the erotic. RED STOCKINGS is a...