Gary Hill Movies
- 1984
Why Do Things Get in a Muddle? (Come On Petunia)
Why Do Things Get in a Muddle? (Come On Petunia)01984HD
This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...
- 1966
Skaterdater
Skaterdater5.91966HD
The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...
- 1970
Pacifier
Pacifier01970HD
- 1980
Project Tesla
Project Tesla01980HD
This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...
- 1978
Mouthpiece
Mouthpiece01978HD
Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...
- 1977
Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
- 1979
Equal Time
Equal Time01979HD
In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...
- 1979
Picture Story
Picture Story01979HD
“A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...
- 1979
Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
- 2001
Goats & Sheep
Goats & Sheep02001HD
Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...
- 1974
Air Raid
Air Raid01974HD
The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...
- 1978
Windows
Windows01978HD
Silent or with minimal sound, Hill's early formalist works explore the manipulation of electronic color and image density through the camera obscura...
- 1979
Objects with Destinations
Objects with Destinations01979HD
Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...
- 1980
Processual Video
Processual Video01980HD
This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...
- 2004
Gary Hill: I Believe It Is an Image
Gary Hill: I Believe It Is an Image02004HD
In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...
- 2008
Observaciones Sobre los Colores
Observaciones Sobre los Colores02008HD
Observaciones Sobre los Colores consists of a single video projection in which a boy reads a Spanish translation of Wittgenstein's Remarks on Color,...
- 2011
The Psychedelic Gedankenexperiment
The Psychedelic Gedankenexperiment02011HD
The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...
- 1978
Elements
Elements01978HD
One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
- 1978
Full Circle
Full Circle01978HD
“The image plane is divided into three sections. In the lower half, a close-up of two hands form a circle out of a metal rod. The upper half of...
- 1978
Primary
Primary01978HD
The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...