Gary Hill Movies

This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...

DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.

A humanoid form strikes its body while making primal guttural sounds. At times the form is “stopped” and “started” using the...

In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...

In the video, Thomas the protagonist is played by Hill which confounds the self-reflexive nature of the book’s relationships all the more,...

“The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...

Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...

This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...

Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...

The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...

Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...

Observaciones Sobre los Colores consists of a single video projection in which a boy reads a Spanish translation of Wittgenstein's Remarks on Color,...

The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...

Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic,...

Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...

One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...

Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...