Gary Hill Movies

  • 1981
    Videograms

    Videograms

    Videograms

    81981HD

    1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...

    Videograms
  • 1986
    URA ARU

    URA ARU

    URA ARU

    01986HD

    Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...

    URA ARU
  • 1978
    Sums & Differences

    Sums & Differences

    Sums & Differences

    01978HD

    The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...

    Sums & Differences
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1979
    Equal Time

    Equal Time

    Equal Time

    01979HD

    In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...

    Equal Time
  • 1974
    Rock City Road

    Rock City Road

    Rock City Road

    01974HD

    Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...

    Rock City Road
  • 2001
    Goats & Sheep

    Goats & Sheep

    Goats & Sheep

    02001HD

    Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...

    Goats & Sheep
  • 1980
    Processual Video

    Processual Video

    Processual Video

    01980HD

    This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...

    Processual Video
  • 1980
    Around & About

    Around & About

    Around & About

    01980HD

    “In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...

    Around & About
  • 1974
    Air Raid

    Air Raid

    Air Raid

    01974HD

    The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...

    Air Raid
  • 2003
    Blind Spot

    Blind Spot

    Blind Spot

    02003HD

    Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...

    Blind Spot
  • 1984
    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    01984HD

    This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

    Why Do Things Get in a Muddle? (Come On Petunia)
  • 1980
    Commentary

    Commentary

    Commentary

    01980HD

    “Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...

    Commentary
  • 1978
    Elements

    Elements

    Elements

    01978HD

    One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...

    Elements
  • 2000
    Performative images. My skin its skin (per)forming another skin where I voice from

    Performative images. My skin its skin (per)forming another skin where I voice from

    Performative images. My skin its skin (per)forming another skin where I voice from

    02000HD

    DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.

    Performative images. My skin its skin (per)forming another skin where I voice from
  • 2008
    Figuring Grounds

    Figuring Grounds

    Figuring Grounds

    02008HD

    Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown,...

    Figuring Grounds
  • 1989
    Site/Recite (a prologue)

    Site/Recite (a prologue)

    Site/Recite (a prologue)

    01989HD

    With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...

    Site/Recite (a prologue)
  • 1990
    Solstice d’Hiver

    Solstice d’Hiver

    Solstice d’Hiver

    01990HD

    Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...

    Solstice d’Hiver
  • 1988
    Disturbance (among the jars)

    Disturbance (among the jars)

    Disturbance (among the jars)

    01988HD

    Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...

    Disturbance (among the jars)
  • 1983
    Happenstance (part one of many parts)

    Happenstance (part one of many parts)

    Happenstance (part one of many parts)

    01983HD

    The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...

    Happenstance (part one of many parts)