Gary Hill Movies
- 1986

URA ARU
URA ARU01986HD
Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...
![URA ARU]()
- 1988

Disturbance (among the jars)
Disturbance (among the jars)01988HD
Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...
![Disturbance (among the jars)]()
- 1980

Black/White/Text
Black/White/Text01980HD
Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...
![Black/White/Text]()
- 1976

Mesh
Mesh01976HD
A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...
![Mesh]()
- 1976

Mirror Road
Mirror Road01976HD
In Mirror Road, Hill uses the camera and image processing devices to explore the malleability of electronic colors and image density. Amorphous...
![Mirror Road]()
- 1978

Primary
Primary01978HD
The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...
![Primary]()
- 1980

Around & About
Around & About01980HD
“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...
![Around & About]()
- 1978

Windows
Windows01978HD
Silent or with minimal sound, Hill's early formalist works explore the manipulation of electronic color and image density through the camera obscura...
![Windows]()
- 1977

Electronic Linguistic
Electronic Linguistic01977HD
The work’s images appear as visualizations of electronically generated sounds. Initially, small pulsating pixel structures occasionally appear...
![Electronic Linguistic]()
- 1979

Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
![Resolution]()
- 1977

Bathing
Bathing01977HD
In Bathing, as in his Mirror Road, Windows and Objects with Destinations, Hill uses the camera and image processing devices to explore the...
![Bathing]()
- 2011

The Psychedelic Gedankenexperiment
The Psychedelic Gedankenexperiment02011HD
The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...
![The Psychedelic Gedankenexperiment]()
- 1975

AXIS
AXIS01975HD
“I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...
![AXIS]()
- 1980

Commentary
Commentary01980HD
“Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...
![Commentary]()
- 1983

Happenstance (part one of many parts)
Happenstance (part one of many parts)01983HD
The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...
![Happenstance (part one of many parts)]()
- 1981

Videograms
Videograms81981HD
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...
![Videograms]()
- 1981

Primarily Speaking
Primarily Speaking01981HD
This work is the single-channel version of a multi-channel installation of the same name. The picture plane is divided into a left and a right half....
![Primarily Speaking]()
- 1978

Full Circle
Full Circle01978HD
“The image plane is divided into three sections. In the lower half, a close-up of two hands form a circle out of a metal rod. The upper half of...
![Full Circle]()
- 1979

Picture Story
Picture Story01979HD
“A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...
![Picture Story]()
- 1980

Processual Video
Processual Video01980HD
This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...
![Processual Video]()










