Gary Hill Movies
- 1981

Videograms
Videograms81981HD
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...
![Videograms]()
- 1986

URA ARU
URA ARU01986HD
Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...
![URA ARU]()
- 1978

Sums & Differences
Sums & Differences01978HD
The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...
![Sums & Differences]()
- 1977

Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
![Bits]()
- 1979

Equal Time
Equal Time01979HD
In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...
![Equal Time]()
- 1974

Rock City Road
Rock City Road01974HD
Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...
![Rock City Road]()
- 2001

Goats & Sheep
Goats & Sheep02001HD
Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...
![Goats & Sheep]()
- 1980

Processual Video
Processual Video01980HD
This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...
![Processual Video]()
- 1980

Around & About
Around & About01980HD
“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...
![Around & About]()
- 1974

Air Raid
Air Raid01974HD
The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...
![Air Raid]()
- 2003

Blind Spot
Blind Spot02003HD
Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...
![Blind Spot]()
- 1984

Why Do Things Get in a Muddle? (Come On Petunia)
Why Do Things Get in a Muddle? (Come On Petunia)01984HD
This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...
![Why Do Things Get in a Muddle? (Come On Petunia)]()
- 1980

Commentary
Commentary01980HD
“Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...
![Commentary]()
- 1978

Elements
Elements01978HD
One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
![Elements]()
- 2000

Performative images. My skin its skin (per)forming another skin where I voice from
Performative images. My skin its skin (per)forming another skin where I voice from02000HD
DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.
![Performative images. My skin its skin (per)forming another skin where I voice from]()
- 2008

Figuring Grounds
Figuring Grounds02008HD
Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown,...
![Figuring Grounds]()
- 1989

Site/Recite (a prologue)
Site/Recite (a prologue)01989HD
With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...
![Site/Recite (a prologue)]()
- 1990

Solstice d’Hiver
Solstice d’Hiver01990HD
Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...
![Solstice d’Hiver]()
- 1988

Disturbance (among the jars)
Disturbance (among the jars)01988HD
Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...
![Disturbance (among the jars)]()
- 1983

Happenstance (part one of many parts)
Happenstance (part one of many parts)01983HD
The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...
![Happenstance (part one of many parts)]()








