Nazli Dinçel Movies

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

A transcription of what I have been told during intimate experiences while separating from my husband. Sections consist of destroyed originals from...

Shot at the Film Farm in Mt.Forest, this comedy is a quest about performance, educational voiceover, analogue filmmaking, ASCII, language, ethics of...

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface,...

A film concerned with the chaotic sphere of disengagement invoked by the threatened subsumption of the sensitive and vibrational biorhythm into the...

8 stereoscopic slides taken to the jk-104 optical printer, shot frame by frame, by hand. The slides were found at a thrift store, of Cuba between...

A reconstruction of Man Ray’s Return to Reason (1929), Interval exploits dimensions of summer and winter while expanding time, questioning the...

"An eye-opening piece of guerilla counter-surveillance, Untitled documents Dinçel’s time working as a tech assistant at a film festival...

The ground holds accounts of once pagan, then christian and now muslim ruins of the city built for Aphrodite. As she takes revenge on Narcissus,...

Inability is the first film in the series about human failure. The filmmaker destroys and re-creates a film she was unable to finish in 2013. Filmed...

Found Film.

Leafless is an expansion of collections, a hand processed love poem of textures about becoming familiar with a significant other’s body in...

These three films follow a young girl through her teenage years while she explores her sexuality and discovers her perversions. Hand-processed and...

Dinçel’s meditation on female labour utilizes close-up textures of skin, grape leaves, earth, and fabric, which are accompanied by a...