Jelena Maksimović Movies

Communist ideals have long lost their value in Yiwu, a city with 600 Christmas factories, in which Christmas as we know it is produced for the entire...

In the flat where I grew up, in a closet, hidden behind his clothes, uniform and a pistol, my father kept a box with papers, school documents and...

Jelena Maksimović and Dušan Grubin explore coming of age and masculinity in the township of Zemun in their joint directorial debut.

She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only...

In the copper mine of the industrial town Bor in Eastern Serbia, miners have been melting copper in the same manner for more than a century.

Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also...

1999: While NATO was bombing Yugoslavia, a truck containing 53 dead bodies plunged into the Danube near the border with Romania. No enquiries were...

Composed of archival footage of his friends' travels, the director creates a special view of the spaces he did not physically visit.

Snajka: Diary of Expectations is a participative-observational documentary about the Croatian-Roma couple Tea and Mirsad, their daughter Frida and an...

Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.

A space in silence, where past has captured present. Taking over, layer by layer, the collective pain enters the landscape, the space, the city....

On mysterious cassettes forgotten or left behind for 17 years, a disturbing filmic material is revealed. Accompanied by the extracts of a diary...

Sava Centar is a congress space built in 1978 in Belgrade, Yugoslavia, whose architecture reflects an idea of the future. Made to host thousands, it...

1973 showcases the life of protagonists at the banks of the river Sava. As the water flows there seems not much happening at first sight. Space for...

Built solely from forensic visual archive and testimonies, Silence of Reason acts as a memory itself: elusive, fluid, rejecting framing, moving in...