Michel Nedjar Movies

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

Wings white, she's red, wings scream, she sings, wings fly, she moans, wings rise, she hides, wings move, she teaches me. Leila, night name,...

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

An early Téo Hernandez film exploring the space of a garden. Shot in July 1970 in the Carlsberg Glyptotek garden in Copenhagen, Pause is a...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed.

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.