Michel Nedjar Movies

An early Téo Hernandez film exploring the space of a garden. Shot in July 1970 in the Carlsberg Glyptotek garden in Copenhagen, Pause is a...

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

Outtakes from the movie

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

Fugitive images of the northwestern city of France.

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Experimental film by Teo Hernández.

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

"The nocturnal animal life in the dark ... There you go. Here is what put the flea in my ear or rather the flea in the eye ... In almost absolute...

Wings white, she's red, wings scream, she sings, wings fly, she moans, wings rise, she hides, wings move, she teaches me. Leila, night name,...

Short film by Teo Hernández.

A nocturnal "offside". Pascal Martin and the celluloid bather summon us to a strange magical rite that refers to the ambiguous games of childhood.