Gaël Badaud Movies

  • 1978
    Cinématon

    Cinématon

    Cinématon

    4.31978HD

    Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

    Cinématon
  • 1979
    Ephemeral

    Ephemeral

    Ephemeral

    01979HD

    The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

    Ephemeral
  • 1977
    Cristo

    Cristo

    Cristo

    2.51977HD

    All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...

    Cristo
  • 1984
    Portraits / Mirrors

    Portraits / Mirrors

    Portraits / Mirrors

    01984HD

    A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann...

    Portraits / Mirrors
  • 1978
    Corps aboli

    Corps aboli

    Corps aboli

    61978HD

    The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

    Corps aboli
  • 1984
    Chutes de Lacrima Christi

    Chutes de Lacrima Christi

    Chutes de Lacrima Christi

    01984HD

    Chutes de Lacrima Christi is an 95‑minute experimental collage film assembled entirely from unused outtakes of Teo Hernández’s...

    Chutes de Lacrima Christi
  • 1977
    Désir

    Désir

    Désir

    01977HD

    Désir
  • 1986
    Rumeurs Saint-Maur

    Rumeurs Saint-Maur

    Rumeurs Saint-Maur

    01986HD

    "Sounds of images" come to me from the windows overlooking rue Saint-Maur (the former pilgrims' path to Saint-Denis) and suddenly make me want to...

    Rumeurs Saint-Maur
  • 1978
    Cinématon II

    Cinématon II

    Cinématon II

    01978HD

    Reel 2 of Gérard Courant's on-going Cinematon series.

    Cinématon II
  • 1978
    J'aime

    J'aime

    J'aime

    01978HD

    J'aime
  • 1989
    Gaël lit Pessoa

    Gaël lit Pessoa

    Gaël lit Pessoa

    01989HD

    Experimental short by Teo Hernández.

    Gaël lit Pessoa
  • 1970
    Chutes de Foire du Trône

    Chutes de Foire du Trône

    Chutes de Foire du Trône

    01970HD

    Outtakes from the movie

    Chutes de Foire du Trône
  • 1978
    Cristaux

    Cristaux

    Cristaux

    101978HD

    The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

    Cristaux
  • 1982
    La vie brève de la flamme

    La vie brève de la flamme

    La vie brève de la flamme

    01982HD

    One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

    La vie brève de la flamme
  • 1977
    Esmeralda

    Esmeralda

    Esmeralda

    71977HD

    With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

    Esmeralda
  • 1978
    Angle

    Angle

    Angle

    11978HD

    "ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

    Angle
  • 1984
    Chutes de Gaël

    Chutes de Gaël

    Chutes de Gaël

    01984HD

    Chutes de Gaël
  • 1980
    Graal

    Graal

    Graal

    31980HD

    The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

    Graal
  • 1981
    Chutes de Gong

    Chutes de Gong

    Chutes de Gong

    01981HD

    Chutes de Gong
  • 2014
    Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)

    Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)

    Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)

    02014HD

    Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)