William S. Burroughs Movies

A portrait of the American Beat Generation writer William S. Burroughs (1914-1997) based on never-before-seen footage from his visit to Denmark in...

Experimental artistic film which uses the milieu of experimental art with a background of various kinds of sounds and music. (worldcat.org)...

In 1982, Robert Frank was on hand at the Naropa Institute in Boulder, Colorado, to film the Jack Kerouac Conference, a 25th-anniversary commemoration...

After two years of filming, director Howard Brookner brought inventor and photographer Robert E. Fulton III a trunkful of William S. Burroughs...

A bizarre silent short film showing author William S. Burroughs negotiating to buy a parrot.

Antony Balch tackles key themes and ideas from the writing of William S. Burroughs in a unique, cinematic style.

Jon Aes-Nihil's experimental documentary about iconic Beat author William S. Burroughs' experiences using a stroboscopic device, known as the dream...

Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971,...

A documentary epic on magical healing in the Himalayas.

Documentary about Kenji Sugimoto, professor in Math and Science history at Kinki university in Japan. He has spent the last 30 years publishing works...

A documentary about the film, I am Curious-Yellow (1967), and how it made it into the USA and changed film in USA forever by breaking the USA...

An hour-long interview with author William S. Burroughs in which he expounds on American culture, art and morals.

The great Beat Generation experiments took place in Tangier, the Moroccan city where William Burroughs, Brion Gysin, and the Moroccan painter Hamri...

Experimental film by William S. Burroughs and Antony Balch

An indictment ballad of all the different political groups in America.

Thelema Now! host Frater Puck discusses William S. Burroughs, possession, synchronicities and chaos magick

Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971,...

Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of...