Andrew Kötting Movies

IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to...

Various characters appear stranded on a beach buried under large piles of their own memorabilia and self-importance.

The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe...

Director Andrew Kötting and writer Iain Sinclair sail a swan-shaped pedalo from Hastings to Hackney in London in the build-up to the 2012...

In 1972 a family are on their way for a holiday in Essex. The parents argue and the son swears, making obscene gestures. So the father throws him...

Andrew Kötting's film retraces John Clare's journey from Epping Forest to Northamptonshire accompanied by a straw bear.

The tragic story of two sisters whose lives are disrupted by two men. Amidst a landscape of rural hardship and a community consumed with...

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

Part home movie, part road movie, Kötting's riveting and eccentric film stars his 85-year-old grandmother Gladys - opinionated, bursting with...

Taking as its departure point the 1993 opening of the Channel Tunnel, Là Bas is a playful burlesque on cultural difference, eccentricity and...

Iain Sinclair walks a section of Watling Street, the Roman road said to have much older origins, from Canterbury to London.

Super 8 project for Coastal Currents 2017 by Hastings Film Makers and musicians. Produced by Mark French. Filmed in charity shops in Hastings & St...

‘A few drops of pond water rich in bottom sediments, seen under a microscope can quickly confirm the existence of another world. This is the...

"A post punk piece of pagan sensibility, complete with beastiality buggery and boundless energy. Maniacal filmmaking at its best. He takes his horse...

From London to the far reaches of Scotland, the journey in the form of a quest for a whalebone box, related to its place of origin.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

"Developed and reduced from the treatment that I had already written for GALLIVANT (THE PILOT), this is a ‘psychogeographical’ derive...

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.