Michael Snow Movies

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

Home movies shot on Super 8mm by W+B Hein over 10 years.

A surreal and comic exploration of an office space and its inhabitants and the decorations of a living room.

Experimental short in which a camera pans quickly in a small apartment space; Disembodied voices speak of audience engagement.

Reel 5 of Gérard Courant's on-going Cinematon series.

Interview and profile of experimental filmmaker Michael Snow from 1983. Includes extracts from 'Back and Forth', 'Wavelength', 'La Region Central',...

The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a...

"Homage to Michael Snow's environmental sculpture 'Blind.' The film proposes analogies, in imitation of three historic montage styles, for three...

Solar Breath (2002) is a 62-minute loop of fluttering curtains that reveal and conceal an idyllic landscape in rural Newfoundland.

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

Puccini Conservato uses a CD, a sound recording of some Puccini music (from La Bohème). The source of the sound (the loudspeakers) in a...

This performance piece by filmmaker Hollis Frampton, recorded in 1968 in New York City, features the voice of artist Michael Snow. Frampton would...

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

A shorter, significantly altered version of Wavelength (1967), where the original film is overlayed upon itself.

A dual-projection film where each director made 30 minutes of film without knowledge of what the other was making. Snow's side is a visual...

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

English and French words flash individually over a black background.

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

As the wheel turns, the religion of the body moves to and through the physical into the psychological. We see the feared, all is moved. There is a...

Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a...