
Chanting
Chanting
Chanting at Fmovies. Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.

Chanting at Fmovies. Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.


02025HD
Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of...

02007HD
The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at...

71978HD
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and...

01975HD
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed...

6.81961HD
An abstract animated film inspired by the work of jazz musician Chico Hamilton.

7.21961HD
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the...

02017HD
Astract stop-motion short film using "lightning doodles" by Tochka.

7.51981HD
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim...

22005HD
In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This...

4.82010HD
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals...

01913HD
A film unmade-- That is, Survage's film was never realized in the traditional sense-- At the time, such a project was beyond technological...

02013HD
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.