Fluxus Movies

  • 1966
    End After 9

    End After 9

    End After 9

    5.81966HD

    Word & number gag, no camera.

    End After 9
  • 1966
    Invocations of Canyons and Boulders (for Stan Brakhage)

    Invocations of Canyons and Boulders (for Stan Brakhage)

    Invocations of Canyons and Boulders (for Stan Brakhage)

    61966HD

    "INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain...

    Invocations of Canyons and Boulders (for Stan Brakhage)
  • 1966
    Disappearing Music for Face

    Disappearing Music for Face

    Disappearing Music for Face

    51966HD

    A smile gradually fades into a neutral facial expression.

    Disappearing Music for Face
  • 2006
    AFIJN (Misha Mengelberg)

    AFIJN (Misha Mengelberg)

    AFIJN (Misha Mengelberg)

    02006HD

    This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in...

    AFIJN (Misha Mengelberg)
  • 1966
    No. 4

    No. 4

    No. 4

    2.61966HD

    This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

    No. 4
  • 1966
    The Evil Faerie

    The Evil Faerie

    The Evil Faerie

    5.21966HD

    Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George...

    The Evil Faerie
  • 1966
    Opus 74, Version 2

    Opus 74, Version 2

    Opus 74, Version 2

    4.81966HD

    Single frame exposures, color. Different image each frame, various items in the room, etc.

    Opus 74, Version 2
  • 1966
    5 O'Clock in the Morning

    5 O'Clock in the Morning

    5 O'Clock in the Morning

    4.51966HD

    A handful of rocks and chestnuts falling, filmed with high speed camera.

    5 O'Clock in the Morning
  • 1966
    Trace No. 23

    Trace No. 23

    Trace No. 23

    5.91966HD

    Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a...

    Trace No. 23
  • 1966
    Word Movie

    Word Movie

    Word Movie

    6.51966HD

    Single frame exposures of words.

    Word Movie
  • 1969
    Faire un effort

    Faire un effort

    Faire un effort

    4.31969HD

    Lifting and holding up a chest of drawers.

    Faire un effort
  • 1965
    Dots 1 & 2

    Dots 1 & 2

    Dots 1 & 2

    61965HD

    Single frame exposures of dot-screens.

    Dots 1 & 2
  • 1966
    Je ne vois rien, je n'entends rien, je ne dis rien

    Je ne vois rien, je n'entends rien, je ne dis rien

    Je ne vois rien, je n'entends rien, je ne dis rien

    4.51966HD

    Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

    Je ne vois rien, je n'entends rien, je ne dis rien
  • 1966
    Trace No. 24

    Trace No. 24

    Trace No. 24

    51966HD

    X-ray sequence of mouth and throat; eating, salivating, speaking.

    Trace No. 24
  • 1966
    10 Feet

    10 Feet

    10 Feet

    5.61966HD

    Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

    10 Feet
  • 1964
    Zen for Film

    Zen for Film

    Zen for Film

    5.41964HD

    In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light,...

    Zen for Film
  • 2021
    Mary Bauermeister - Eins plus eins ist drei

    Mary Bauermeister - Eins plus eins ist drei

    Mary Bauermeister - Eins plus eins ist drei

    02021HD

    Mary Bauermeister is considered the mother of the Fluxus movement. In an attic on Cologne's Lintgasse, she made art history in the early 1960s...

    Mary Bauermeister - Eins plus eins ist drei
  • 1966
    Entrance to Exit

    Entrance to Exit

    Entrance to Exit

    4.31966HD

    Features entrance and exit door signs, fading through black and white.

    Entrance to Exit
  • 1966
    Artype

    Artype

    Artype

    5.71966HD

    Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

    Artype
  • 1966
    Shout

    Shout

    Shout

    51966HD

    Close-ups of two faces, shouting at each other.

    Shout