Friedl vom Gröller Movies

What goes missing in a time when mouths are covered by masks? At the beginning you see a set of replacement teeth. This still life opens the film,...

This was supposed to be a trial film for the artist to test her defective camera. In Allegory, Friedl vom Gröller stands in the foreground of...

A salon piece in black and white. The filmmaker circles the amorous play. Gestures and blurs, intuitively precise in-camera edits condense the...

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

Portrait of the artist’s mother as an old woman. A farewell vignette, a final sketch from her nursing home, silent, aloof, clumsy, metallic...

In this work the situation of shooting film as experienced by the subject and filmmaker is most clearly visible in the loving and then hurt facial...

It's composed of multiple jump-cut close-ups of a beautiful Roman Bacchante bust with garland braid and vacant eyes in the Louvre, as students and...

Men, their faces in close-up, gazing face first into the camera one after the other is the opening motif of this barely three-minute film, which only...

The natural law of capitalism as expressed by a hungry boa constrictor.

A wink to the reaper that awaits us all, smile on the lips.

Filmmakers love shooting through windows, the various lockdowns were proof of that. Friedl vom Gröller, however, decided with typical...

A short film with music written by Kurt Weill and Bertolt Brecht.

A young woman sits on a bench in a baroque park. The motion of the wind in the leaves, in her hair, and also the flutter of her eyelashes, the...

Wedding is a meta-amateur film, a reflection and a condensation of its form: black and white, silent, 16mm, and only two minutes long. A married...

“La mia Camera” means my room, a balcony with curtains, (and my film camera). The main characters are the wind and its dancing playmate,...

A group of people in a room eating pizza, drinking, conversing, perhaps having a party.

The film virtually opens with a false lead, showing a poster for for Shiseido cosmetics – the kind of sign we are accustomed to seeing in...

Based on the unusual idea that God's anus is visible on nights of the full moon, and determined to make a taboo visible, Friedl vom Gröller does...

Close-ups of people's faces—psychoanalysts—reading Gröller's protocols. The fire inexorably burns through the paper. The notes about...