Friedl vom Gröller Movies

16mm short film

An experimental film.

The film by photographer and filmmaker Friedl vom Gröller is the short portrait of a woman full of secrets. The viewer can observe her but is...

Close-ups of people's faces—psychoanalysts—reading Gröller's protocols. The fire inexorably burns through the paper. The notes about...

A film like a punch in the stomach. Blind photographer Evgen Bavčar examines the bodies of four women. The women's expressions and gestures...

The theme of this short film is the relationship between psychoanalyst and client. Vom Gröll plays the analyst, a role she knows from real life....

A tiny picaresque set in Paris chronicling Kubelka’s coy encounter with an unnamed man.

A salon piece in black and white. The filmmaker circles the amorous play. Gestures and blurs, intuitively precise in-camera edits condense the...

Friedl vom Gröller invites a stranger to his small apartment in Paris and records his reactions to an unexpected striptease.

Like a dark screen stencil, a young woman dances in front of an open window. Although the film is silent, the rhythm of the music to which she dances...

The story of a triangle. Two people in a hotel room. A love story. Or rather, the idea of ​​a love story. A cinematic story. Everything...

Oppressive and childlike, erotic symbols and surreal moments.

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

The continuation of a portrait of Gaelle Obiegly. The focus of the film is not a portrait, but rather a wide variety of cable cords in a cellar,...

Gaelle Obiegly is a film about not being able to see, and a reversal of the gaze.

The title appears in thick boldface print. A short sequence of documentary snapshots, filmed off found paintings. These images pick up on figures...

Photo session is a film about a pair. A human pair: man and woman, no longer young but when they laugh together they´re as exuberant as...

In this work the situation of shooting film as experienced by the subject and filmmaker is most clearly visible in the loving and then hurt facial...

In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. These...

Im Wiener Prater is not about the amusement park that one normally associates with this name. The spectacle in the film takes place in a much more...