Friedl vom Gröller Movies

Dedicated to the Paris Poetry Circle, this film captures the filmmaker's yearning for and unbridled interest in the human face. Poems are recited,...

The film virtually opens with a false lead, showing a poster for for Shiseido cosmetics – the kind of sign we are accustomed to seeing in...

A small, cheerful homage to one of Friedl vom Gröller's favorite directors – Carl Theodor Dreyer – or perhaps a game of telephone...

Endure tension, endure intimacy.

The filming of my discomfort at being a woman between the ages of 60-70 in our society has the function of a valve. It is based on the...

A short film with music written by Kurt Weill and Bertolt Brecht.

This was supposed to be a trial film for the artist to test her defective camera. In Allegory, Friedl vom Gröller stands in the foreground of...

The focus narrows to short cuts relating to the place were the footage was shot, then moves to the portrait´s subject, Franz West, sitting at a...

“La mia Camera” means my room, a balcony with curtains, (and my film camera). The main characters are the wind and its dancing playmate,...

The longtime friend and photographer Heidi Harsieber with Friedl vom Gröller in an early, very charming portrait, in which the young women still...

Paris in June 2009. The title leads us to expect a personal diary entry made in a city that has often been used as a setting for ideas of love. In...

A young woman's body becomes the medium for the viewer’s projections of the stories and biographies that are imagined about her.

A group of people in a room eating pizza, drinking, conversing, perhaps having a party.

Filmed photo portraits Erwin, Toni, Ilse, is one of Friedl Kubelka’s first films. Influenced by the Nouvelle Vague and Existentialism, it was...

An elusive 16mm miniature from the legendary Friedl vom Gröller, Conditio Humana intersperses footage of the crumbling sandstone façade...

A pan along a gallery of large washing machines in a laundromat. Two women speak sign language and a third feeds coins into the machine. Language is...

An ongoing portrait of Max Turnheim that begun in 2002 when he was 20 years old.

A short film by Austrian experimental film maker Friedl vom Gröller.