Friedl vom Gröller Movies

A young woman's body becomes the medium for the viewer’s projections of the stories and biographies that are imagined about her.

The setting of the film was simple and straightforward: the now 77-year-old Friedl vom Gröller asks a (homosexual) escort to do a nude film...

The filmmaker Friedl vom Gröller films herself and her colleague, the filmmaker Christiana Perschon. A projector casts images from an earlier...

The lovesick Jelena spends her afternoons strolling among the tombs and leafless trees at Père-Lachaise cemetery. As she sings...

An elusive 16mm miniature from the legendary Friedl vom Gröller, Conditio Humana intersperses footage of the crumbling sandstone façade...

Friedl vom Gröller doesn’t give Christiana Perschon an interview. She gives her more: the film of a brief encounter, which in its...

Portraits and fragmented views of Paris intertwine.

A cheerful ritual in praise of Mami Wata, a mermaid-like water spirit of life, sex and healing. A joyful show of Friedl vom Gröller's particular...

A short film by Austrian experimental film maker Friedl vom Gröller.

A pan along a gallery of large washing machines in a laundromat. Two women speak sign language and a third feeds coins into the machine. Language is...

Playing a part or stepping outside it. Lisa, who looks like Friedl vom Gröller´s sister, practises looking into the camera. She adjusts...

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

The natural law of capitalism as expressed by a hungry boa constrictor.

“This unwavering attitude as well as his decision to develop his own film style under and with financially difficult circumstances are the...

Friedl vom Gröller´s Rust starts by gazing into the strained face of the saint. The artist herself reads "Holzschnitt", or woodcut, rather...

The filming of my discomfort at being a woman between the ages of 60-70 in our society has the function of a valve. It is based on the...

Wedding is a meta-amateur film, a reflection and a condensation of its form: black and white, silent, 16mm, and only two minutes long. A married...

In Maya Deren’s AT LAND, each vision of a foot hitting the ground took us into a new space via the magic of montage. DAS RAD works a similar...

What goes missing in a time when mouths are covered by masks? At the beginning you see a set of replacement teeth. This still life opens the film,...